Exposition and setting elements introduced early on are all keenly remembered and respected with respect to their implementation in the story as well.Ĭertainly one of Sakasama no Patema’s points of charm, among other things, is its unique setting and the way it mindfully handles and establishes it. It does so by executing its plot tightly but with varied pacing that grips viewers strongly and offering contrast through times when the film’s pace slows.
This issue serves as the main body for the film’s plot. It is soon revealed that there are darker forces at work on the surface in Age’s civilization, which threatens both Patema and her home. In addition to normal complications, life on the surface does not continue going smoothly for Patema. Sakasama no Patema succinctly fits and balances humorous situations, Patema’s trials where gravity is reversed for her, as well as emotionally moving characterization moments for both characters. The progression between the two members of the main cast occurs smoothly and as one might expect of two people coming from such different backgrounds. Age is mostly her only hope and she must rely on him heavily in order to have a chance at survival.įrom there, the film handles their relationship’s growth fairly well. Once returning to her underground home becomes impractical, Patema is forced to remain on the dangerous surface. Patema meets Age, a boy who lives on the surface.
#Sakasama no patema movie#
Once the boy meets girl event in the movie properly unfolds, the story proper begins to unfold. She soon realizes that the effect of gravity is reversed for her and her people as exposure to the surface threatens to engulf her in their sky. She runs into people that live up above on the surface. She enjoys exploring the areas around her village despite frequent warnings against the idea and soon makes an interesting discovery. The story revolves around the eponymous Patema, a princess from a civilization of people that live underground. Yasuhiro Yoshiura’s most recent feature film is rich in no shortage of ways. Among other things, thought is given to the clashing of opposed beliefs and differing perspectives, and commentary on societal and cultural acceptance is no stranger to Sakasama no Patema. Yet, there is even more beneath the film’s already deep surface. That alone is already no small feat, and few can claim to do so regularly. On the surface, Sakasama no Patema is merely a well-crafted and cleverly presented adventure movie that provides nonstop entertainment in a multitude of ways. An adaptation of its original incarnation as a 4-episode ONA, resulting in a lovely adventure in a captivating setting. These traits combine to give Yasuhiro Yoshiura’s works a unique feel and emotion to them one that is difficult to satisfactorily describe, but always recognizable. Subtly woven in between each narratives he tells are forays and explorations into the human condition and psyche. Often times, his works are often marked by their somewhat melancholic and somber feel. One of his latest ventures, the 2013 animated feature film, Sakasama no Patema, or Patema Inverted, is no exception for the expressive filmmaker. Each of his films express emotional experience both powerful and poignant. The trademark styling of writer / director Yasuhiro Yoshiura typically evokes a unique, immersing, and unmistakable timbre that captures the viewers’ attention. From the quietly popular Eve no Jikan to the critically acclaimed Pale Cocoon, the varied settings and plots of Yoshiura’s films are tied together by his stylistic nuance.
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